System Number: 08275
Date: [25 January 1894]
Recipient: David Croal Thomson
Repository: Library of Congress
Call Number: Manuscript Division, Pennell-Whistler Collection, PWC 18/1507
Document Type: ALS
'25 Jay 1894'
110 - Rue du Bac Paris
For one who is "on very intimate terms with Mr Whistler" - and one who does "not wish to displease him", you would seem to me, my dear Mr Thomson, to furnish an excellent example of the futility of kicking against the pricks! -
For you have come to complete grief with the best of intentions!
I cannot myself easily imagine [p. 2] any course that could by its indiscretion have given me deeper displeasure, than the one you have taken -
Not only do you most unwarrantably place me in a curious light (though only for a moment) with Mr Studd, but you do me the honour of setting me up as a simpleton! whose eyes are ready for as much dust as you please - and dust of the quality of gravel too! -
As a Scotchman I am astonished at you! -
Do you think that all that poor stuff about "not feeling at liberty to give the information respecting the price you have paid without your consent"... misleads me? -
Mr Studd you have no concern with at all -
That is what you mean by being "placed in an awkward position" [p. 3] But this you should have frankly written to me - instead of offering the contents of my letter to Mr Studd before I had applied to him myself -
J McN Whistler
Envelope:[embossed:] AU BON MARCHÈ. PARIS
D.C. Thomson Esq
The Goupil Gallery
5. Regent Street
[stamp:] POSTE / REPUBLIQUE FRANCAISE / 25
[postmark:] PARIS 20 / 195 B[OULEVAR]D ST GERMAIN / 8E 25 / JANV / 94
[postmark on verso:] LONDON. S.W. / KN / JA 26 / 94
'59B' is written in an unknown hand in red ink at top left, '81' in pencil at bottom right of p. 1. and the same on the envelope.
5. Mr Studd
Arthur ('Peter') Haythorne Studd (1863-1919), painter and collector [more], had bought Symphony in White, No. 2: The Little White Girl (YMSM 52) and Nocturne: Blue and Silver - Cremorne Lights (YMSM 115) earlier in the month, and JW had asked Thomson what price had been paid for the paintings.